1.0Audio Media Internationalhttps://audiomediainternational.comAudio Media Internationalhttps://audiomediainternational.com/author/audio-media-international/REVIEW: KRK GoAux 4 monitorsrich600338<blockquote class="wp-embedded-content" data-secret="8fQRem1lNi"><a href="https://audiomediainternational.com/krk-goaux-4-monitors-review/">REVIEW: KRK GoAux 4 monitors</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://audiomediainternational.com/krk-goaux-4-monitors-review/embed/#?secret=8fQRem1lNi" width="600" height="338" title="“REVIEW: KRK GoAux 4 monitors” — Audio Media International" data-secret="8fQRem1lNi" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://audiomediainternational.com/wp-content/uploads/KRKsystems_1148-scaled.jpg25601707The studio monitor is, of course, the pro producer’s best friend. And once you get to know your monitor’s sonic character, you should be able to mix any track to sound good anywhere. But for the travelling producer or mix engineer who (fortunately) finds themselves working in multiple studios, learning the in house studio monitors could be a time consuming exercise for each session. Wouldn’t it be good, then, to take along your own monitors that you know and love?